Our Work
Film
Marvel Studios
Thor: Ragnarok
Directed by Taika Waititi, Framestore reunited with Marvel Studios to deliver the climactic final act.
Film
Warner Bros.
Geostorm
Framestore tackled some groundbreaking and futuristic work for the action-fuelled disaster movie.
Film
Alcon / Sony Pictures
Blade Runner 2049
Framestore was thrilled to create concept artwork and deliver nearly 300 shots of VFX.
Episodic
Netflix
Stranger Things Season 2
The team played a key role in the second season of the Netflix series.
Film
20th Century Studios
Alien: Covenant
Framestore once again voyaged into space to team up with Ridley Scott on Alien: Covenant.
Film
Marvel Studios / Sony Pictures
Spider-Man: Homecoming
For this coming-of-age story for the timeless hero, the team created the Washington Monument sequence.
Film
Paramount Pictures
Transformers: The Last Knight
From attack drones to autonomous bipedal mechs, the team handled a range of characters and environments.
Film
Netflix
Okja
The team created the 12’ long, 8’ tall pig-like creature weighing in at 12,000 lbs entirely in CG.
Film
Warner Bros.
King Arthur: Legend of the Sword
Framestore was pleased to join the voyage to Medieval England for King Arthur: Legend of the Sword.
Film
Marvel Studios
Guardians of the Galaxy Vol. 2
James Gunn's unlikely heroes return for Vol.2, in an adventure even more action-packed than the last.
Film
Paramount Pictures
Ghost in the Shell
Framestore worked on a complicated sequence of the film which takes place underwater.
Film
Walt Disney Studios
Beauty And The Beast
A live-action adaptation of Disney's ‘tale as old as time’, directed by Bill Condon.
Film
Warner Bros. / Heyday Films
Harry Potter and the Deathly Hallows: Part 2
The Harry Potter finale saw Framestore once more face new VFX challenges, providing a brace of sequences.
Advertising
EON Productions
Spectre
The 2015 release of Spectre marked another winning collaboration between Framestore and Daniel Kleinman.
Film
Paramount Pictures
Allied
This WWII story of two assassins who fall in love is deliberately paced with 776 of its shots containing VFX.