Little white robot on a black background


Directed by William Barlett, Framestore Pictures produced this fully-CG commercial for eye care brand Optrex and advertising agency Havas London. Several departments at Framestore worked together to design and animate an incredibly detailed mechanical eye for the film.

optrex branded provision contact lens boxes

‘The initial references that were used in the brief when we talked about the mechanics of what we were designing were cogs inside a clock. But this quickly progressed into the need to create something that looked really sophisticated and modern,’ said William Bartlett, the film’s director. 

Bartlett worked with Framestore’s art department to come up with the look of the commercial’s mechanical eye which would be made up of intricate cogs and tiny levers and arms. It had to look sleek and well-engineered but represent the complexity of a real human eye.

close up shot of an animated mechanical satellite shaped as an eye

Once the design was locked, the commercial’s animators had to make sure the eye moved in a way that was realistic both as the designated internal mechanics and as a real human eye. As such, at every moment in the advert the eye is in constant motion, mostly micro-movements that can almost go unnoticed. 

When building the narrative for the film, the director’s treatment from William included a previs version of the commercial which shot-for-shot, essentially stayed the same throughout the rest of the production. The eye sits in an entirely-CG environment made up of a series of glass panels, the composition of which brings to mind a zoetrope, further embracing the ideas of watching moving images. 

a satellite that has been animated as an eye standing strong as a light gleams behind it
front view of a mechanical satellite eye. there is a couple embracing in the reflection of the iris

The only live action element of the commercial is what’s being played on a screen in front of the mechanical eye and was shot in one morning by William Barlett and the team at Framestore Pictures. 

‘This commercial needed to convey that the human eye is complex yet incredibly fragile and as such needs to be taken care of,’ added Bartlett. ‘This made the project really interesting to work on because we were able to design the mechanical eye asset with a huge amount of detail. And the end result is something that’s not only very effective but also really visually interesting.’


Havas London
Stephanie Cleak
Creative Director
Dave Mygind
Production Company
Framestore Pictures
Sian Jenkins
Production Assistant
Noah Enhus
Design and Animation
CG Supervisor
Alex Doyle, Amanda Johnstone-Batt
Mary Doyle
Michael John, Aaron Hunwick
Robert Joosten
VFX Coordinator
Megan De Wolf
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