Mark Curtis

UK expat Mark Curtis joined Framestore in 2019, lending his considerable skills to The Aeronauts before commencing work on the genre-bending Tom & Jerry.

Mark began his career at MPC in 2001, supervising films such as the action-packed James Bond instalment Spectre and Clint Eastwood’s Sully, for which he was nominated for Satellite and VES Awards. He also served as MPC’s Head of Department for the cinematic adaptation of Yann Martel’s Life of Pi, which earned the team a Visual Effects Oscar and VES Award. Mark then joined ILM’s Vancouver team, supervising A Wrinkle in Time and The Mummy.

Deftly balancing Framestore’s trademark mix of technical expertise and startling creativity, Mark prides himself on note-perfect work that fits seamlessly within the filmmaker’s creative vision.

Most recently, Mark delivered stunning environments and creatures for the third instalment of the Paddington series, Paddington in Peru. Mark is currently working on Predator: Badlands.