Portrait of Mark Curtis

Mark Curtis

VFX Supervisor
Montréal
Episodic
Film

UK expat Mark Curtis joined Framestore in 2019, lending his considerable skills to The Aeronauts before commencing work on the genre-bending Tom & Jerry.

Mark began his career at MPC in 2001, supervising films such as the action-packed James Bond instalment Spectre and Clint Eastwood’s Sully, for which he was nominated for Satellite and VES Awards. He also served as MPC’s Head of Department for the cinematic adaptation of Yann Martel’s Life of Pi, which earned the team a Visual Effects Oscar and VES Award. Mark then joined ILM’s Vancouver team, supervising A Wrinkle in Time and The Mummy.

Deftly balancing Framestore’s trademark mix of technical expertise and startling creativity, Mark prides himself on note-perfect work that fits seamlessly within the filmmaker’s creative vision.

Most recently, Mark delivered stunning environments and creatures for the third instalment of the Paddington series, Paddington in Peru. Mark is currently working on Predator: Badlands.

Paddington in Peru
Paddington in Peru
George Clooney and Brad Pitt in Wolfs
Wolfs
Tinkerbell from Peter Pan & Wendy
Peter Pan & Wendy

Credits

VFX Supervisor
Predator: Badlands
VFX Supervisor
VFX Supervisor
VFX Supervisor
VFX Supervisor
VFX Supervisor
VFX Supervisor
A Wrinkle in Time
VFX Supervisor
The Mummy
VFX Supervisor
Sully
VFX Supervisor
Zoolander 2
VFX Supervisor
VFX Supervisor
Furious 7
VFX Supervisor
Fifty Shades of Grey
Head of Compositing