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Toothless from How to Train Your Dragon, showcasing lifelike CGI and detailed animation in a forest setting.

11th août 2025

Bringing Dragons to Life with Visual Development

Framestore’s Visual Development (VisDev) team played a crucial role in helping bring How To Train Your Dragon to life.

5th août 2025

Getting Under Each Other's Skin in Together

Director of Together, Michael Shanks, spoke to LA Weekly and IndieWire.

Columbia Sportswear advertisement still of CG eyes

5th août 2025

5 stars from David Review

David Reviews gives 5 stars to Columbia Sportswear "Engineered for Whatever" campaign.

A prehistoric rhino-like figure with short fluffy skin rests in the tusks of a larger creature. The animals have been created in CGI for Apple TV+ new season of Prehistoric Planet

29th juillet 2025

Apple TV+ Announces Prehistoric Planet S3

“Prehistoric Planet: Ice Age” has been an epic journey of exploration for Framestore. With Production-Side VFX Supervisor Russell Dodgson guiding the way, our Art Department, VisDev, Pre-Production (FPS), and VFX teams across London, Montreal, and Mumbai have brought to life the spectacular inhabitants and habitats of the Ice Age.

Broadcasting industry trade magazine speaks to Framestore

21st juillet 2025

TVB Europe vs How To Train Your Dragon

Christian Mänz explains the technology used to bring the dragons of How To Train Your Dragon to life on set.

16th juillet 2025

How to Train Your Dragon’s VFX in SYFY

VFX Supervisor Christian Mänz spoke to SYFY about the team’s animation work on How To Train Your Dragon.

Brian Cox sitting eating pizza next to an Uber Eats bag.

16th juillet 2025

2025 Emmy Nominations

Uber One ‘Brian Cox Goes to College’ has received a nomination at the 2025 EMMY Awards!

Hiccup from How to Train Your Dragon riding a photoreal animated dragon through the sky.

16th juillet 2025

How to Train Your Dragon | Taking Flight

Our experts share how they brought How to Train Your Dragon's iconic flight sequences to life.

F1 McLaren race car. VFX motion blur and post-production techniques create dynamic speed for Formula 1 motorsport visuals.

15th juillet 2025

F1 The Movie in Post Magazine

"Framestore and ILM, who did all the work, were just on it. Things came in really close all the time. They were very dialed in, and I suspect a lot of that came from them having already done a lot of the work on Top Gun and Ryan (Tudhope) kind of designing and guiding the workflow." — Stephen Mirrione, ACE, Editor