Framestore’s Paul O’Brien was in attendance on shoot, which saw myriad combinations of band, furniture and fabrics shot to collate enough material for the fast-paced spot.

Once back in the studio, Colourist Jessica Vile set the tone and grain for the grade, working on the plates before handing over to Framestore’s team of compositors to finesse the rooms’ transformations. Framestore also added the 4:3 ratio framing to the film’s latter half, a subtle retro touch that had carried through from Oscar’s original treatment.